One of the big surprises at last year’s E3 was the reveal of a brand new IP called Days Gone from Sony Bend, the studio behind the Syphon Filter franchise. Days Gone is a third-person open world game where the world has been ravaged by terrifying hordes of fast-moving, zombie-like creatures. With seemingly thousands of zombies on-screen at one time, Days Gone looks to be an impressive technical achievement, and PS4 owners should be excited to see more of what the game has to offer come Sony’s press conference at

Perhaps it could be as simple as just changing the type of fabric for your belt or the type of grain for your wooden bow, or maybe it could be more complex, such as Red Dead Redemption 2 in which you apply engravings, markings, leather straps, etc. Maybe even taking heed from Jedi: Fallen Order and applying different styles to specific weapon pa

Crackdown 3 is promising a level of destructibility that we haven’t really seen in gaming before, and it will be exciting to see if it can pull it off while also delivering a compelling open world experie

While there have been various spin-off titles such as Fable: The Journey , and Fable Fortune to name a few, the franchise went quiet. Lionhead Studios shut down in 2016, subsequently ending production of what was supposed to be the next instalment: Fable Legends . However, after some years of rumours, Playground Games announced last year that it was working on the next Fable title . We got a cinematic trailer but no gameplay nor a release d

Now, with that said, one would think this review is going to continue down this path and Fable II will once again fail to reach the pinnacle that was expected of it. With such flaws as a poor map, an unbalanced economy, and a relatively dull plot, how could a game recover? It is quite simple, really. Like its incredibly detailed morality system, the developers seemed to be presented with a choice. They could either give it an epic story with incredibly detailed and fleshed-out characters or sacrifice a large amount of your gaming freedom, or they could give you an engrossing game with limitless options but sacrifice a fanciful plot. They chose the latter and, like your character, whether that is a good or a bad thing is essentially up to you.

Fable 2 and 3 were great games for many reasons, but they were also great games because of the good boy you get to have at your side throughout. Having the woofy little pupper helping you out in your adventure games exploration guide to locate treasures and defend you in battle made it feel great to have a dog. And with the gaming industry’s obsession with petting random dogs in game worlds, why not give players the chance to pet their own companion at any given t

Set 50 years after the events of Fable III (read our review ), Fable: The Journey tells the story of Gabriel , a young Dweller who becomes separated from his caravan and is ultimately called upon to save Albion from The Corruption, an evil entity that is bent on destroying the land with flowing rivers of ropey, bloody goo. Gabriel is aided in his quest by Theresa, the enigmatic, blind seer from the numbered Fable games, and his horse, Seren. It’s a classic Hero’s Journey setup that should lead to rousing adventure – but before we get to any of that, a mess

Particularly troublesome are “crossover” attacks, in which the player needs to target an enemy on the left side of the screen with his or her right hand, or vice versa. The Journey actually warns players against crossing their arms over themselves, but it is often inescapably necessary. While it’s true that The Journey’s combat controls work much more reliably than its driving controls, that’s cold comfort when it’s all but impossible to accurately target a given enemy, and the player ends up dying as a result. Fortunately, The Journey isn’t particularly difficult, and ample checkpoints ensure that there is never too much of the game to rep

Movement off the horse, such as in a dungeon or mine, occurs with no player input, putting focus solely on clearing away baddies. Combat is handled via two main powers controlled by each hand. The right hand casts a damage-dealing attack spell, while the left hand can push enemies back or fling environmental objects at them. To execute either attack, you simply aim at the intended target and push your lower arm away from your upper arm with the palm facing out. While it’s a simple combat system, it truly feels that you are the one casting the spells — always a victory for motion-based titles. Common variances like needing the left hand to pull the armor off of an enemy, while dealing damage with the right prevents gameplay from seeming stale.

Death Stranding hasn’t been confirmed for E3, but considering the close relationship between the new Kojima Productions and Sony, it seems likely that it will have an appearance at the show. If Death Stranding is shown at E3, hopefully fans get more answers about the game’s mysterious story, and if they’re lucky, the first look at gameplay. It would also be nice to learn definitively whether there was ever any truth to the Emma Stone casting rumors that cropped up a few months b