You mentioned you expanded on the scenes. How was the process of taking the MoCap that was already done from the original game and bringing it into this game? Did you have to redo any of it or could you basically just drop it in, add new textures and it work?

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No. There were plenty of times we had to figure out how to make it look good, but the number one design pillar for this project was to maintain the integrity of the gameplay experience. Timing is essential to being able to do that and we did not deviate from that. So like I said within a couple fractions of a second there may be something there, but the intention wasn’t ‘I’m going to flub this a little bit.’ It was ‘we’re going to make this look good for sure, but we need to maintain that gameplay.’

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It was far more complicated than that. So the methods of which MoCap is captured have changed significantly in the last nine years, almost as much as FPS game tips engines have changed. We are very fortunate at Raven to have a Mocap studio on site as well as facial capture and a lot of other technologies that help us punch this. I won’t say that we weren’t able to use any of the animation data, because i believe that we used a lot of it and then added detail and more natural movement to scenes, but we did a lot of new MoCap. Some scenes we just couldn’t get the data to line up right and the timing felt off, and it wasn’t because we changed the timing it’s because the systems had fundamentally changed and we needed to make sure that that still felt right. So our animation team and our MoCap team have done a ton of work and we’re very proud of that work. So yeah I would say it wasn’t an easy thing to just take it and ‘copy and paste’ it and you’re good. There was definitely a lot of time put into that.

In our ‘Shock and Awe’ you’ll actually see the first person hand come up and try to block the light that’s blaring into your eyes and the God-rays kinda come through your hand, and you’ll also see that in that moment before that guy gets sucked out you’re actually reaching to grab him because you can see him going and when he goes we’re not trying to change the narrative and create something that wasn’t really there, but we wanted to emphasize that that was supposed to be an emotional moment. IW intended for it to be an emotional moment so lets emphasize it a little bit, let’s do something more here. That’s one example of how we took the already cinematic game and made it even more natural and more emotional. Hopefully this roller coaster is going to feel familiar to gamers who have experienced it before, but feel modern and belong in the space today to people that may not have been exposed to it before.

So we were very cautious about making significant changes to the core audio files, but unfortunately all of the audio done in the original were single channel wav files. So yeah think of how awesome it sounds. They were freakin’ masters over there to pull that out, but when you play that back today and you’re in a closed soundproof room and you’re listening to it you’re like ‘what the hell is this?’ Because it feels distorted, there’s no depth to it, no personality, no reverb, it lacked a lot. So we wanted to maintain that so we started with what was already there, as the single channel, and we built up from there.

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Mere hours after the Modern Warfare 3 and Warzone Season 1 updates had rolled out, the two games received another pair of patches on December 7. The new updates are primarily geared toward ironing out minor bugs and other issues that were introduced in the previous versions of the games, although some balancing changes are also part of the newly released pack

I agree that that’s classic, however, when we popped that in there it did not look good. It really looked dated and it didn’t feel like it belonged in this modern space with this game, especially with all the other improvements we made along the way. So we figured out what the timing was for the ADS and decided we could not deviated from that in our limits. Then we created the animation that moves up and it feels more natural because you connected to your weapon a little bit more and at the last minute if you noticed it, it still pops. We felt that that was an important part, but we ended up doing more of an animation into that. So those are just a couple of different ways we took that.